Tag: Chanel make-up

Ete Papillon Look 2 Screenshot

Photographer Richard Burbridge © Chanel

On May 31st Chanel releases its summer make-up collection, L’Eté Papillon de Chanel in the UK.  Inspired, you said it, by butterfly wings.  There are waterproof mascaras in bright yellow, turquoise, electric blue and sea green.  There are twist up cream eye shadow pens in sea blues and greens, golden yellow and pink sand.  There are three nail polishes – the perfect coral, metallic blue and a green that shimmers like a butterfly wing.

How to wear them?

If youth is on your side, you’re ok with all of it applied with as much gusto as this if you like…  If everything Chanel is over budget then do the hi-lo thing, buy just one piece and then hit Top Shop (Barry M does a nice line in coloured liner).  Though I have never seen a yellow mascara as vibrant as this.

If you’re northward of 40 cherry pick.  Try a sweep of turquoise say, on your lashes and little more than that.   Add it to the outer half of your lashes over the top of black mascara for what they call in the business a colour accent.   Or play safe and stay with coral on your nails and toes (yes, matching nails and toes are de rigeur for summer), a slick of sheer coral or red lipstick (also in the collection) and one of the more muted cream shadows smudged over your lids with a lick of mascara.  But I say, be bold and go with the colour – for play, holiday or party.   You only live once and right now, full-on make-up has never been bigger.

To shop the collection online in the US now and to see more  see here.  For UK stockists call 020 7493 3836.  Available May 31.

 

Autumn and Spring compacts by Aerin

 

Aerin is a new make-up collection I think you might like.  Especially if you’re the kind of woman who doesn’t particularly like or wear make-up.   Designed by its namesake, who is also Estée Lauder’s granddaughter (it runs in the blood), Aerin pivots around themes of simplicity and efficiency with a healthy dose of low-key luxury thrown in.   This translates to specially designed seasonal make-up palettes containing subtle eye and cheek colours.  All you need extra is mascara and tinted lip balm or lipstick.  Nothing new in this idea save that there is nothing gimmicky about these palettes.  Their colours are so wearable and flattering you will want to wear them.

In this photo (colours not true, I played a little with photoshop) there is an autumn palette and lipstick, which have seen my face through the odd weekend away (plus Mac Pro lengthening mascara, available in the Mac stores not on usual website).  The other palette, which looks more like a rather nice wallet is from her spring collection.  It’s inspired by the muted shades of evening, hence its name A Garden At Dusk (£45, Garden Colour collection launches Feb, try John Lewis, Harrods or Selfridges).   A lovely present for as I’ve said, the woman who likes subtle make-up.  Aerin points in my opinion to a new way in beauty – in line with a simpler sartorial code that’s tickling its way into our collective taste as a reaction to both bling and this austerity.  It’s gentle, elegant and quiet.  And I think many of us are ready for it.

5 more great pared down make-up best buys:

1. Nails: Bobbi Brown Roza Nail Polish (heather nude, available March, but limited edition so quick!)

2. Lashes: Clinique Lash Power Mascara Dark Chocolate (my mother loves this because it’s so subtle, far cry from OTT volume mascara)

3. Lips: Chanel Rouge Coco Shine in Boy (one of the ones all the make-up artists love)

4. Skin: L’Oréal Paris Nude Magique BB Cream (great reports on this, especially for over 50s)

5. Cheeks: Liz Earle Healthy Glow Cream Blush in Nude (a little flush on cheeks adds ‘life’ to a pared down make-up)

As the face of Chanel Coco Mademoiselle Keira was as you’d expect, in lip to brow Chanel, (not to mention ear lobe to toe, Chanel couture).   You can read about how my friend, the make-up artist Lisa Eldridge did her make-up on her fantastic site here.   Meantime, here are a few highlights:

On Keira’s skin – Perfection Lumière Foundation in Beige – tip: apply with a flat, synthetic hair foundation brush and buff into the skin lightly to blend.   The Body Shop‘s new make-up brushes are ideal.  Apply a touch of loose powder to nose, forehead and chin with a clean blusher brush to tame shine if prone.

To conceal her under eye shadows (if she has them) – Eclat Lumière in Beige Clair – tip: apply to high points, brow bone, tops of cheek bones and Cupid’s bow to highlight and open up the face.  I like Liz Earle‘s Light Reflective Concealer, which I used this morning.

On Keira’s eyes – Ecriture de Chanel in Noir, liquid liner, along upper lash line flicked out to create a subtle cat eye – tip:  soften line with powder shadow – Lisa used Ombre Essentielle in Ebony.

On her lips – Rouge Allure lipstick in Evanescente – tip: line and fill lips with natural lip pink, lip pencil to help it last – Lisa used  Chanel’s Natural lip pencil.  Mac Spice is a classic.

If you haven’t already caught the Twitter frenzy, set up your Chanel at Harrods search now.   Shrouded in secrecy until today, the Chanel pop up bonanza, which opened this morning got we Twitter-fanatical fashion and beauty hacks into a complete Twitter tizz.   Why, you ask sweetly?  Oh, why?

Today, for three weeks, Chanel has collaborated with Harrods on a temporary collection of Chanel paraphernalia: pop-up boutique, beauty bar, exhibition, Chanel make-up artists and manicurists (ready to paint your face and nails) and more, to let we mere mortals into the glittering world of Chanel.   The inspiration was Chanel designer, Karl Lagerfeld’s Autumn/Winter Ready-to-Wear collection, which at the time of the show, was considered – albeit to acclaim – somewhat gritty in its post-apocalyptic setting, and dour, slouchy, masculine, gothic, street-meets-high-fashion feel.  But has translated into a fabulous, deliriously-wantable, luxe collection with hints of 70s and early 80s glamour (see more pix here) – and if Harrods’ Brompton Road windows were anything to go by, doused with surely whimsical, other-worldly, fairytale touches.

And this other worldliness was what rang through the spectacle.  As I moved from the pop-up boutique at door 9 into the beauty area (a kindly assistant will direct you) it was Hansel & Gretel for grown-ups.  Sweet jars of lip glosses, lipsticks and nail polishes lined the walls. Decanters of over sized Chance and other scent bottles sat alongside.  In front, there was a bronze tiled beauty bar where you could have a make over by one of Chanel’s make-up artists – Kay Montano, Lisa Eldridge, and today, Mary Greenwell…  You could also have your nails painted by a star manicurist – today it was Britain’s talon superstar Sophy Robson – and tomorrow, it will be Marian Newman, who is another big name in fashionista nails.   I nipped into the Chanel-customised photo booth – you can too, and be snapped all made-up like a star, wind machine at the ready.  It was brilliant, you look really not bad at all.  Passport photo booth this isn’t – this is Snap Shot, Coco style.

I took a lift to the third floor and wandered through to something every budding fashion-fanatical teenager needs to see: Une Promenade – Coco In Wonderland – an exhibition showcasing the various elements or ‘codes’, which define Chanel. I wafted through a curtain of rippling pearls into an Italian-style garden setting complete with black, quilted watering cans, treasure filled cabinets and encircled with arches leading through to a number of ante-chambers.  I took one, which lead me into a blacked out room to watch how the classic, black quilt Chanel bag is made, through a patchwork of videoclips (Sam Taylor Wood – are you watching?).  Next I drifted into the playroom, where teddies and rag dolls modelled Lagerfeld designed outfits.  On and through into a pastiche of the Chanel couture atelier (see the photo above for an idea) draped with gowns, and with couture dresses displayed through glass frames on the walls (loved the wallpaper – grey and white and elegant: peacocks, birds and flowers).

A No5 room had a giant No5 bottle as its centrepiece, with footage of past No5 faces including Marilyn Monroe and Ali McGraw beamed into the glass.  A book lined study was a snapshot into Lagerfeld’s own, the walls decorated with photo-fit wallpaper of the bookshelves that line his own study.   Then: a Chanel tweed and boucle wool lined room, which turned these two, iconic Chanel fabrics into art pieces – tweed stretched as a canvas.  And lastly, a giant sized Chanel bag (comical in its size and cartoon-like vibe, like an iced cake) filled the final stop, just to remind us of the supremely iconic status of the world of Chanel.

Chanel’s World at Harrods runs for three weeks from today – Une Promenade opens tomorrow, September 6th 2011.

Peter Philips, Chanel’s thrilling make-up guru recently came up with an adorable animation idea, which you can see at the end of this post.  He says:  ’A few years ago I made these little robots, that were part of a headpiece I created for a tribal makeup shooting [...] that’s where the idea first came from.’  He adds:  ’I then had the chance to play with these characters and do an animation, that’s how my little robots came to life.’
BTW, if you double click on each image you’ll see how they’re constructed (I need my rather attractive new reading glasses to make them out).

And as for the animation, you can see it at Nowness, a hot little artsy, food-y, design-y, culture-y place to go.  Click:  Nowness.  Expand your screen, turn the music up and enjoy…