Tag: Lisa Eldridge

Monday 10 October 2011     Leave A Comment

Postmodernist Slapstick?

An introduction to a new film by Dior Make Up where a Dior compact or three go Pac Man.  Quite liked it – took a little warming up, but by three quarters of the way through it had me smiling (and tapping my toe to the beat – sounds like La Roux).  Why do I like it?

Because they’re going head to head with Chanel, who’s doing interesting things with make-up video play online.  The site’s called Chanel Make Up Confidential and features quirky films, show clips, make-up demos with the make-up artist Lisa Eldridge and more.  And because they’re one more example of a designer brand doing quirky stuff in film on line (Louis Vuitton, Prada…).

This whole online make-up movie idea is appealingly eccentric.  There is some cute video making going on. It all makes me think of the early 80s and the first pop videos (fresh in my mind from the postmodernist show at the V&A).   And all this make-up movie play is a cleverly new way of bringing it all alive to us, online.  Our playground. Their shop front.  It’s as if the big boys have gone to a bunch of young, hip, brilliant digital-video-geek new boys, and let them, well, play.

As for the make-up message?  Who cares?

So how about another game –  I Spy a Dior make-up hottie while you’re watching.

Round One:  I Spy Dior’s Grey nail polishes – then click here for more.

Round Two:  I Spy Dior’s Minaudière – then click here for more.

Meantime, the Dior website is having a makeover.  And I for one am itching to see what they do with the make-up.   Chanel Confidential will be hard to beat.

If you haven’t already caught the Twitter frenzy, set up your Chanel at Harrods search now.   Shrouded in secrecy until today, the Chanel pop up bonanza, which opened this morning got we Twitter-fanatical fashion and beauty hacks into a complete Twitter tizz.   Why, you ask sweetly?  Oh, why?

Today, for three weeks, Chanel has collaborated with Harrods on a temporary collection of Chanel paraphernalia: pop-up boutique, beauty bar, exhibition, Chanel make-up artists and manicurists (ready to paint your face and nails) and more, to let we mere mortals into the glittering world of Chanel.   The inspiration was Chanel designer, Karl Lagerfeld’s Autumn/Winter Ready-to-Wear collection, which at the time of the show, was considered – albeit to acclaim – somewhat gritty in its post-apocalyptic setting, and dour, slouchy, masculine, gothic, street-meets-high-fashion feel.  But has translated into a fabulous, deliriously-wantable, luxe collection with hints of 70s and early 80s glamour (see more pix here) – and if Harrods’ Brompton Road windows were anything to go by, doused with surely whimsical, other-worldly, fairytale touches.

And this other worldliness was what rang through the spectacle.  As I moved from the pop-up boutique at door 9 into the beauty area (a kindly assistant will direct you) it was Hansel & Gretel for grown-ups.  Sweet jars of lip glosses, lipsticks and nail polishes lined the walls. Decanters of over sized Chance and other scent bottles sat alongside.  In front, there was a bronze tiled beauty bar where you could have a make over by one of Chanel’s make-up artists – Kay Montano, Lisa Eldridge, and today, Mary Greenwell…  You could also have your nails painted by a star manicurist – today it was Britain’s talon superstar Sophy Robson – and tomorrow, it will be Marian Newman, who is another big name in fashionista nails.   I nipped into the Chanel-customised photo booth – you can too, and be snapped all made-up like a star, wind machine at the ready.  It was brilliant, you look really not bad at all.  Passport photo booth this isn’t – this is Snap Shot, Coco style.

I took a lift to the third floor and wandered through to something every budding fashion-fanatical teenager needs to see: Une Promenade – Coco In Wonderland – an exhibition showcasing the various elements or ‘codes’, which define Chanel. I wafted through a curtain of rippling pearls into an Italian-style garden setting complete with black, quilted watering cans, treasure filled cabinets and encircled with arches leading through to a number of ante-chambers.  I took one, which lead me into a blacked out room to watch how the classic, black quilt Chanel bag is made, through a patchwork of videoclips (Sam Taylor Wood – are you watching?).  Next I drifted into the playroom, where teddies and rag dolls modelled Lagerfeld designed outfits.  On and through into a pastiche of the Chanel couture atelier (see the photo above for an idea) draped with gowns, and with couture dresses displayed through glass frames on the walls (loved the wallpaper – grey and white and elegant: peacocks, birds and flowers).

A No5 room had a giant No5 bottle as its centrepiece, with footage of past No5 faces including Marilyn Monroe and Ali McGraw beamed into the glass.  A book lined study was a snapshot into Lagerfeld’s own, the walls decorated with photo-fit wallpaper of the bookshelves that line his own study.   Then: a Chanel tweed and boucle wool lined room, which turned these two, iconic Chanel fabrics into art pieces – tweed stretched as a canvas.  And lastly, a giant sized Chanel bag (comical in its size and cartoon-like vibe, like an iced cake) filled the final stop, just to remind us of the supremely iconic status of the world of Chanel.

Chanel’s World at Harrods runs for three weeks from today – Une Promenade opens tomorrow, September 6th 2011.

Friday 13 May 2011     Leave A Comment

Beautiful Bargains

This article appeared in FT Life & Arts on May 7 2011

Click here to read

I was chatting to my friend, the make-up artist, Lisa Eldridge the other day – you’ll probably know her from 10 Years Younger.  We were at the launch of No7′s collection of make-up to celebrate their 75th birthday, at The House of St Barnabas in Soho… Anyway, she’s done a set of glorious nostalgia shots of make-up looks from the last seven decades, starting with the 40s.  (Lisa’s the creative behind No7 make-up.)

‘Which is your favourite?’  I asked Lisa.

‘The 1940s,’ she said in a flash – here’s the picture, you’ll see them at Boots stores from the beginning of May.

‘It feels the most contemporary.  You could do it tomorrow,’ she says. ‘ It’s glamorous, classic, you’ve got the Hollywood red lip, a lovely brow, nude eyes, eyeliner – I’ve used the shimmer chocolate brown eye shadow mixed with water and applied it with a brush.  I prefer it to black for this 40s look.’

What do you think of this look?  Would you wear it?

Watching the BAFTAs last night and spotting the odd celebrity at London Fashion Week, too, there’s a definite fan base – in spite of the yawn-makingly enduring, pale- lip-smokey-eye thing that’s been going on so long.

At the BAFTAs it was Jaime Winstone (she’s wearing one of Lancôme’s red lippies), Audrey Tatou, Anne-Marie Duff, Claire Danes (another Lancôme red) and Romala Garai.  At LFW it was Sienna Miller, Peaches, Jaimie (again), Little Boots…

For this shot, here is what Lisa used on the lips:  1. No7 Perfect Lips Pencil (£7.75) to line and fill lips.  2. No7 Stay Perfect Lipstick in Cherry (£10.25) applied with a brush. 3.  No7 1940s Lipgloss (6.75) at the centre bottom lip.

For the eyes, she used No7 1940s Eye Shadow Trio (£9.75) – the darkest brown, damp with a liner brush.  The make-up artist,  Jemma Kidd always uses this trick, which makes this kind of thing easier:  Apply the line with an eye pencil first, so you have a  light outline to work on.  Go over with the damp, liner.  For me, the best kind of brush is a flat, angled brush.  MAC does one.   The tip is broad, so you literally rest it against your eye at the root and sweep it gently along.  It’s far easier than keeping a steady hand with a fine, line brush.

And not forgetting the cheeks (this look can wash you out).  Blend a natural, pink blusher over the cheek’s apple and out, ‘to balance out the strong lip,’ says Lisa.